Flight, 2019

 

 

Flight, which was commissioned by the Pittsburgh International Airport, utilizes a whimsical paper plane motif to welcome visitors from different walks of life who come to Pittsburgh to make their dreams take flight. Featuring vibrant colors that reflect hope and diversity, the planes were locally fabricated from aluminum and steel due to the material’s superior durability and their historic link to the city’s powerhouse industries.

Butterflies, 2019

 

In this mechanical sculpture, a cascading dance shared by the color-shifting butterflies reflects a diverse and vibrant community. Butterflies flap their wings individually throughout the day, eventually finding harmony in their movements. Synchronizing through the color and light emanating from their wings, the work reveals how our shared culture is built from cooperation and kinship and expresses hope for meaningful connections between all living creatures.

 

 

Riposo, 2021

 

 

Riposo, 2021
Lena Chen & Michael Neumann
Site-Specific Installation

Riposo is a site-specific installation at the Piazza Roma in Vimercate exploring rest and relaxation as politically subversive antidotes to our current system of production. The city square is surrounded by banks, restaurants, and other businesses. Riposo disrupts this system of profit and dominance with a hammock installation in which the public is invited to rest, meditate, and sleep. The hammock is designed with a fabric that features the Piazza Roma digitally manipulated into a surreal dreamscape.

Lettera 22

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the thing that happens, 2022

 

 

When the School of Art’s 2020 MFA thesis show was abruptly cancelled just 14 days before it was scheduled to open, the graduating class was left with a choice: abandon their unfinished projects and mount a hastily-organized online exhibition of old work, or re-envision what an art thesis could be. Choosing the latter, the students set out on an ambitious two-year book project in which they each worked with an established artist, curator, or scholar. This slow and considered approach gave the six graduates the time to process the monumental global upheaval of the pandemic and to either consider how their work is understood in new lights or to create new work that responds to this specific moment in our history.

The book, which is published by the Miller Institute for Contemporary Art and titled the thing that happens when the thing that is supposed to happen does not happen, includes essays, interviews and dialogues, and visual conversations between two artists’ works. By creating these pairings, this book creates a nuanced view of each student’s art practice within larger social and cultural contexts of our time. Not only do these pairings provide key context for the work of the emerging artists of the 2020 MFA cohort, they provide new insights into established artists’ practices.

CMU’s three-year MFA program emphasizes in-depth dialogue and exchange with a myriad of visiting artists, curators, critics, scholars and other creatives and intellectuals. The thing that happens is a natural extension of this pedagogical mentor/mentee philosophy, which seeks to constantly challenge students to consider how their work functions outside the academy and traditionally-defined artworld. By pairing these six emerging artists with established practitioners and scholars, this book reaffirms the importance of artists’ connections with one another in a time of physical and social isolation.

Soma, 2018

 

 

Soma, 2018
Collaborators: Anna Henson, Char Stiles, Emily deGrandpré and Sudanshu Shekhar
Open to the public, SOMA explores the reciprocal nature of bodies in space using digital projections, interaction and playful installation. Each projection was designed by the artists. Emily deGrandpré fabricated the furniture, and Anna Henson designed the interactive.

Vinyl Record

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